Hey guys! These past two days I just caught up with my modelling and did some work on my research essay. Just started rendering today (day 26) and I’m giving Keyshot software a go. Ran into a problem with Maya software unable to receive my obj. of my treant because of its really hi-poly, so I was told by a friend to give keyshot a go. I’m able to use it on my laptop and render out my 360 turntable for my model and I’m really looking forward to when I’ll be getting it done. For now I’m just working on my essay seeing as there’s no better time while my model is rendering on my laptop.
Hey guys, so I’ve been working on the body, I played around with adding little mushrooms to his arm (I’ll be adding a lot more!) and Ive started doing more details on his body. I’m planning to do some more layers of vines on my treant, so that he’s not jsut a mass of a tree. I’m still working on the feedback I was given before with trying to change the flow of his branches. hopefully I’ll be able to rotate them just so.
So glad I was able to sculpt more today, I’ll start doing the mushrooms and such tomorrow. I was able to put in some more detail on him as well. Hopefully I can get down to doing his hands and more details on his lower half.
Just started sculpting from a sphere. Didn’t realize I could just sculpt from the beginning until my classmates told me. I would have wasted a week trying to get a base mesh and retopologizing on Maya. Problem: wasting time doing base mesh
Solved: suggestion from classmate to just do it from zBrush
“Not much I can critique on but your getting most base forms looking good.”
Today I did my pre production pitch and I had a missing concept so I had tod raw up what I had in mind. With some minor changes on my treant, it was approved which I was really proud of. I’ll be starting to model the base of my treant today, but I’ll post my concept for now.
Today another late night spent in class till around 10 pm-11 pm trying to get the diffuse and bumps right. I sculpted the canvas a little, scanned the painting and made two separate documents. One for the diffuse and one for bump which I had to make grey out and play with the levels on Photoshop. I also played with the levels and saturation for the diffuse on Photoshop.
It was a very artsy day today with all the painting on Mari and such and playing around on substance painter. I got it quite close to the still life photo as well but there’s still some things I need to go back and redo (such as the tiny paint blob I did on the paintbrush manually, it’s bigger than the one in the photo…)